New Single!

Smart Barker has just released a new single: “To Jane (2017 version)” features a (greatly improved) new vocal and a few little tweaks; it is backed with a brand-new instrumental song, “Going to Grasmere.” These are probably the best-sounding records I’ve produced yet!

To Jane cover

Notes: original recording of “To Jane” produced by Harris London. Performed by Martin Evans (drums), Mark Graybill (electric guitar), Pat Manley (acoustic guitar), and Daniel Robinson (fretless bass guitar, keyboards, percussion programming, vocals). New version produced by Nosnibor. “To Jane” by Daniel Armstrong Robinson adapted from lyrics by Percy Bysshe Shelley. ⓒ 2017 Daniel Armstrong Robinson / Full Frontal Publishing ASCAP

“Going To Grasmere” produced by Nosnibor. Performed by Mark Graybill (acoustic guitars), Daniel Robinson (bass guitar, keyboards, percussion programming), Tommy Traddles (drums). “Going To Grasmere” by Mark Graybill.  ⓒ 2017 Mark Graybill / Full Frontal Publishing ASCAP

Ⓟ 2017 Milton Music / Daniel Armstrong Robinson

Purchase the single at iTunes.

Purchase the singe at Amazon.

 

TRIUMVIRATE released!

Triumvirate cover 2 small

Triumvirate back cover small

Smart Barker’s brand-new, fourth album is now available for download at iTunes and for streaming at Spotify. The album is a record of the three-piece years, when it was just Bob, Mark, and me playing live. The songs weren’t recorded in front of an audience, but they are live, three-piece recordings—warts and all. I believe some of these versions are better than the more-produced, studio versions. Standouts for me include our cover of The Police’s “Truth Hits Everybody” (another power trio—get it?), a 6/8 version of “The Gods” that medleys into Ritchie Valens’s “We Belong Together” (featured in the motion picture La Bamba and a former staple of The Furleys), and an epic “Coward of the Conscience” into “Not To Talk” that features the craziest guitar solo Mark has ever put on record. Sadly, Bob is onto other projects; but the original MDP lineup (me, Mark, Pat Manley, and Martin Evans) is reforming—so there will be some shows in the future. Not sure if we’re Smart Barker or Milton and the Devils Party or Smart Barker performing as Milton and the Devils Party. I suppose that—until Smart Barker finally releases an album of all-new songs—we’re a Milton and the Devils Party tribute band.

Here is the album available for purchase at iTunes.

Here is the album available for streaming at Spotify.

Please keep in mind that I had to pay Sting in advance (Sting gotta eat / Sting gotta heat his castle) for the license to release the cover of “Truth Hits Everybody,” so it’d be great if somebody would actually pay for a download of the record. Same with the three guys who were needed to write “We Belong Together.”

Hope you will give it a listen! And like it!

What Is All This Sweet Work Worth?

The first album by Smart Barker (MDP) is again available at multiple vendors. But the original WIATSWW, produced by Harris London, has been remastered and sounds even better; it includes two bonus tracks, our covers of “Just Like Heaven” and “Till The End Of The Day.” Please check it out!

WIATSWW cover copy

Stream the album at Spotify.

Purchase the album at iTunes.

Purchase the album at Amazon.

For more info and liner notes go here.

 

 

Textual Scholarship at Widener

I’m very pleased to recognize the achievements of my students Taylor Brown and Kimberlee Roberts, who are the first recipients of the Certificate in Textual Scholarship at Widener University. They were honored last week at the Humanities Division Awards Ceremony–along with other English and Creative Writing students. Taylor is taking her experience with her to Loyola University’s graduate program in digital humanities, while Kim is taking hers to the University of Denver where she will pursue a master’s in Library and Information Science with a specialization in archives.

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Taylor Brown (left) and Kimberlee Roberts receive their certificates from department chair Janine Utell.